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Decomposed bodies found in Pakistan hospital_我的网站

A |     Islamabad, Oct 15 (UNI) After reports of some 200 unidentified and decomposing bodies on the roof of Nishtar Hospital's mortuary in Multan, Punjab, government has launched a probe, Pakistan media reported.

A top official from Multan's Nishtar Hospital blamed the police and rescue officials for the decaying bodies at the medical facility's rooftop — after the videos of corpses on the hospital's roof left the nation in shock on Friday.

Following the reports of multiple unidentified decomposing bodies on the medical facility's rooftop, the Punjab government and Nishtar Medical University's vice-chancellor formed separate committees.

Nishtar Medical University's (NMU) Head of Anatomy Department Dr Mariam Ashraf told Geo TV news that the rescue officials and police were to blame for the piling up of bodies in the morgue and on its roof.

Ashraf said that the medical facility could not refuse to accept the bodies as it was bound to take them in as safekeeping. "Police and rescue officials ask us to keep it in the hospital."

"The police and rescue officials do not take them back on time. We have written documents in which we have asked them to take the bodies. Since there is a lag, such things happen," the official said.

The hospital official said the bodies that the medical facility receives from police are usually decayed and they cannot be kept in the mortuary.

"As a result of their condition, maggots start eating them — and they can travel from one body to another. This is why, the bodies that are decaying are kept on the roof, where there are three rooms."

Rubbishing claims that there were 200 or some bodies on the rooftop, the hospital official said that the medical facility's administration has counted the exact number of bodies and shared the details with all the concerned authorities.

"Let me make it clear, only a few bodies were kept above. Putrified bodies are kept in the room."

In reply to a question about the nonfunctional morgues, she said the hospital administration recently held a meeting with the Secretary of Health at Punjab Secondary Healthcare and Medical Education Department.

In the meeting, a new mortuary was sanctioned for the hospital along with the funding for the civil works for the dedicated structures to be built for keeping the bodies.

"Our institute absorbs the bulk of the load of the province in terms of receiving such bodies."

Ashraf also defended the claims of several bodies being on the roof and said that not all of them were whole as autopsied bodies were also among them.

She explained that as the autopsied bodies are not whole and their organs and limbs are sometimes not attached to the body so they look like a pile of human body parts.

Punjab Police Spokesperson DIG Muhammad Waqas Nazir admitted that these were the abandoned bodies handed over to the hospital by the police under the inquest, which is the requirement of the law.

In a letter to the secretary of specialised healthcare South Punjab, the hospital admitted that bodies were stored on the rooftop of the facility for decomposing and after completion of the process, their bones were to use for education purposes, he said while rejecting the allegations of the hospital.

However, due to the negligence of the hospital’s staff, the bodies were kept in the open air on the rooftop, Nazir added.

UNI ING。    The first musical glimpse of Chatha Pacha - The Ring of Rowdies has arrived, and it wastes no time announcing the film’s attitude. Reel World Entertainment has unveiled the lyric video of the title track, a number that leans heavily into rhythm, street energy, and a sense of playful bravado. More than just a promotional beat, the song marks a notable moment for Malayalam cinema as it introduces the celebrated composer trio Shankar-Ehsaan-Loy to the language for the first time.Music has been positioned as a key pillar of Chatha Pacha from the outset, and the title track underlines that intent clearly. Rather than playing it safe, the film opens its musical journey with a song that feels rooted in place and personality. The soundscape is earthy and infectious, echoing the bustle and swagger of Kochi’s streets while maintaining the polish expected from a high profile pan Indian production.     A landmark crossover for Malayalam cinema     The arrival of Shankar-Ehsaan-Loy into the Malayalam film space is the kind of crossover that naturally draws attention. For decades, the trio has shaped the musical memory of Hindi cinema with songs that balance melody, scale, and experimentation. Their decision to step into Malayalam cinema with Chatha Pacha feels both timely and deliberate, aligning with the industry’s growing confidence and national footprint.The composers have spoken about their excitement in working with the language, describing Malayalam as rich and musical in itself. That enthusiasm is audible in the title track, which blends multiple influences without losing its local flavour. The composition does not feel like an outsider’s take on Kerala culture. Instead, it embraces the rhythms and cadences of the setting, allowing the language and slang to drive the mood.                                         Vocally, the song brings together Shankar Mahadevan, Siddharth Mahadevan, and Fejo, creating a dynamic mix of voices. Shankar’s unmistakable energy anchors the track, while Siddharth adds a contemporary edge familiar to audiences across industries. Fejo’s presence grounds the song firmly in Kerala’s pop culture landscape, especially given the impact of his breakout hit Aayiram Aura, which reshaped the visibility of Malayalam rap and hip hop.     Street slang, star power, and rising buzz     A major reason the title track lands with such confidence is its lyrical backbone. Written by Vinayak Sasikumar, the lyrics unapologetically tap into Kochi’s street slang and everyday rhythm. The words feel lived in rather than stylised for effect, giving the song an immediacy that invites listeners to sing along rather than simply consume it. This choice aligns well with the film’s tone, which appears to celebrate raw energy and youthful chaos within a larger cinematic frame.Chatha Pacha is directed by debut filmmaker Adhvaith Nayar and backed by creative producer Shihan Shoukath, along with producers Ritesh and Ramesh S Ramakrishnan and Shoukath Ali. While the film is still some distance away from release, it has already built curiosity through its teaser and character reveals. The arrival of the first song sharpens that anticipation, offering audiences a clearer sense of the film’s world and energy.                                                                 View this post on Instagram          A post shared by Chatha Pacha: The Ring of Rowdies (@chathapachathefilm)                         With distribution support from Dharma Productions, Mythri Movie Makers, Wayfarer Films, PVR INOX, and The Plot Pictures, the film is clearly being positioned for a wide and ambitious release. As the title track begins to find its way into playlists and social media reels, it sets a confident tone for what lies ahead.Scheduled for a theatrical release in January 2026, Chatha Pacha - The Ring of Rowdies now has its musical flag firmly planted. If the title track is any indication, the film is gearing up to enter the ring with noise, confidence, and a sound that refuses to be ignored.Also Read: Chatha Pacha Steps Into The Spotlight With a Knockout Teaser。

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